Tuesday, September 25, 2012

Portrait: Discord Nancy


My friend Elsi responded very positively when I asked if I could make a portrait of her and sent me some photos, all of which were beautiful, but I chose this one to start with as it struck me as the most powerful image.





First I made a line visual in pencil, slightly exaggerating her features;
which I then traced and redrew in charcoal, deciding to reverse the image so that I could include her ‘beauty spot’ piercing, which was obscured in the original pose.


Having scanned it I cut out the line work in photoshop and set about playing with the ‘filling’, choosing a scan of a 70’s fabric for her hair, as it’s the right sort of colour and the pattern follows the contours well. 


I set the eraser tool to the highest setting to achieve the circular cut outs which I then misaligned in different layers to give a ‘spot light’ effect, adding an extra element to the ‘surprised’ narrative.

I chose to work with a limited palette because the hair ‘collage’ is so ‘busy’.







I then experimented with multiples, which I think work well. 


I plan to make more versions of this image using different materials for the initial drawing and also to work from some of the other photos.



A couple of weeks later
I kept adding charcoal to the drawing I developed just beyond the line visual stage and ended up with this 



Which led me to wonder, after I’d been looking at street artists for ex 1 part 4, how it would work as a purely black and white image so I made a tonal tracing and set about a pencil version


Which I then scanned and cut out in photoshop, and enhancing it with other layers and multiplication






I’ll also try cutting it out and spray painting over it...see next exercise...as well as screen printing the image.



A friend prepared the screen for me and I printed the image onto a t-shirt and paper






The paper version worked less well because there was too much ink, but I'm very happy with the t-shirt and will probably make more.

Friday, September 7, 2012

Assignment 3: Jazz Poster



I chose to design a poster for a jazz evening, and started brainstorming by using a spider diagram, then I made a mood board from images I had collected, finding others through an internet search and also in a book at a house I was sitting (The Story of Jazz, Bop and Beyond by Bergerot and Merlin; published by Thames and Hudson/New Horizons).







Links to images:


I wanted to make a fairly simple design in terms of line, taking a musical instrument as the theme, and to keep the palette limited too, I particularly liked the combination of black, white, red and turquoise.


I drew some thumbnails


 

And chose to develop the double bass and trumpet drawings into line visuals; the double bass is actually my favourite musical instrument and I like the angle and perspective of the photo of  Charles Mingus in The Story of Jazz book as it exaggerates the big and bulbous form and has humour and warmth.

Line visuals




I was thinking of using charcoal as I wanted a dark, rough looking effect and giving the text a hand drawn quality to match this, and was further inspired by these two posters, one of which I found on facebook







the other of which I came across while on holiday in the south of France; drawn by a lovely man called Denis Carriere who has a canal side atelier in the beautiful village of Le Somail where they have weekly jazz concerts. Unfortunately my visit didn’t coincide with the jazz but Denis very kindly explained to me how he makes his sketches in charcoal, fixes them and then adds oil washes for colour. He makes hand cut stencils for the lettering and has also used this method for a series of Vietnamese street scenes which hes is to exhibit shortly. His atelier was absolutely stuffed with work; beautifully rendered watercolours of the canal as well as this rougher style. Really inspiring. He has a website www.deniscarriere.com but I’ve not been able to access it....will keep trying.







I also came across this Crosby, Stills and Nash album cover on Spotify, which uses a stencil typeface to good effect and has a nice rough texture to the background. 



I set about making my colour visual first by exploring my store of scanned papers, choosing one from a music book and altering the colour in photoshop and another with torn edges as a background.

I then used photoshop to cut out the lines of my line visual, setting the layer mode to multiply and before cleaning it up decided to try pasting it on to my background.




I was really taken with the print–like effect of the dirty line visual background and thought that the drawing itself worked well, so I decided at this stage just to tidy it up a bit and not to redraw the image.



I chose a stencil type face in red for ‘JAZZ’ to make it stand out, distorting it slightly and adding a subtle effect to make it look more hand drawn. I chose the other type face because it looked to me like a lower case version of the stencil and placed it outside the confines of the image and then cropped the edges a little.


I love seeing many copies of the same poster pasted next to each other on walls, especially when they go a bit tatty, so I played with multiple versions on a single poster




Actually the tatty edges work less well for me now the image is multiplied so my favourite of these is this one. And of course if the overall size is A3 then the image size will be smaller, so maybe less readable....


Rather than adding a date I decided to add 'every week', again in the stencil typeface but lightly coloured and translucent. I really wanted to make the text run diagonally at the same angle as the line under the f holes of the bass but I couldn't work out how to rotate it in photoshop. Anyway, I like the way it looks and the repetition of the text and the poster reinforce the idea of a weekly repeated concert.



On reflection:

The whole ‘visual magpie’ thing is really important, as even when the ‘official’ research period of a project is done there are always opportunities to get more inspiration and ideas...always.

It’s also great to be building up a store of textures and patterns to use.

Ideally I would have cut a JAZZ stencil by hand and spray painted it over a charcoal drawing coloured with acrylic paint but for various reasons it had taken me two months to get past the line visual stage of this assignment so I opted for shortcuts, which I think work pretty well.

I like the aged, hand-made feel of the poster and the subtle use of colour, and I think the red JAZZ would call the viewer's attention well.




Tutor feedback: lacks contrast, double base would benefit from shading on the sides and underneath and more detail on the bridge.

So I redrew the base and put the drawing through the same photoshop process





so this is the new final poster, which is much clearer, more interesting and vibrant for the update.